The previous post was about the first part of a good strum, keeping your right elbow in the right spot.
Remember that in all these tips – the anatomy of a good strum – the whole is what is most important. As I said, my intention is not to make this more complicated than it should be. I just want to break it down a bit to help you observe well.
To use the painting analogy, you should watch yourself paint. There are a few questions in the first post that might help with this.
Here’s the next part of a clean and efficient strum: A smooth swing.
To reiterate, all these “pieces” work together. So, a good arm swing is contingent on good elbow position.
For this tip, the focus is on swinging: Have both a down stroke and an upstroke.
That might seem a little funny, but a lot of beginner strummers use all down strokes, or choppy moves, with a few upstrokes. Let your arm pivot on your elbow and swing up and down. It should not be very “jerky.”
The key is that ALL strumming is like this: down, up, down, up, down, up, down, up… etc.
Notice there are as many “ups” as there are “downs.”
There are other things to notice as you watch yourself “paint the strum.” The goal is to have smooth strokes.
In addition, you should have a good balance between arm and wrist motion. You should NOT strum by twisting your wrist and not moving your arm. Likewise, you should NOT strum by locking your wrist and moving only your arm.
An efficient strum will move from the elbow and include a small twist as the arm moves.
The twist will only be slight.
As for the arm swing, it should cover all the strings – paint the whole canvas – but not be so big that you could virtually paint 5 canvases. Make the swing efficient by swinging only as much as you need to.
Note that this doesn’t mean you strike all the strings. I’m only talking about the swing of the arm.
I’ll say more about that later, but I’m simply referring to the fact that different chords call for different notes to be played. In other words, when trying to paint yellow (let’s say), it’s easy to accidentally mix in another color with your brush.
For now, the main thing to know is that ALL strumming is both up and down. When you paint the strum, you need both a down stroke and an up stroke.
Let me try to show you briefly:
The next tip will be about how to hold the paint brush…I mean pick.